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Cantillation

by Jean Ethridge

Instrumentation
Cello, Piano
Composed
1999
Duration
5'
Publisher
Canadian Music Centre
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About this piece

A short lyrical work for cello and piano

Technical overview

From Association of Canadian Women Composers: "Freely, in declamatory style. To cantillate means to chant or intone a passage of religious text. The harmonic form of the scale is used throughout with expressive emphasis on the augmented 2nd. The rapid notes need to be played with flexibility for an improvisatory style. The cello part is written in the tenor clef. Double and triple stops, and one triple stop pizzicato, create drama. The piano accompaniment provides harmonic and textural support. 'Prelude,' 'Cantillation,' and 'Danse Energique' are often performed as a set."

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.