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Shift, Trip

by Zoë Martlew

Instrumentation
Cello, Accompanying Electronics
Composed
2005
Duration
7'
Publisher
Schott Music (ED 13760, score with performance CD)
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About this piece

A seven-minute perpetual-motion piece for amplified cello and a pre-recorded soundtrack of guitars, brass and percussion, written in 2005. Martlew premiered it herself at the Linbury Studio, Royal Opera House, playing on stage with dancers of Ballet Black in a choreography by Antonia Franceschi, though the piece is meant to stand alone in concert. In her note the composer cites Boulez's multi-cello Messagesquisse and John Scofield's funk number Protocol as starting points. The cellist covers a range of five and a half octaves and must stay locked to a backing track whose rhythmic patterns shift unpredictably; the setup needs amplification and playback of the track supplied with the edition.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.