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Moïra

by Édith Canat de Chizy

Instrumentation
Cello, Orchestra
Composed
1998
Duration
20'
Publisher
Éditions Henry Lemoine
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About this piece

A 20-minute concerto for cello and orchestra commissioned by the Arsenal de Metz and premiered there on 26 March 1998 by Sonia Wieder-Atherton with the Philharmonie de Lorraine under Pascal Rophé, who also recorded it for Timpani. In her program note the composer explains that it completed a cycle of string works after her violin concerto Exultet and Siloël, and that the cello acts as an instrument of passage between worlds, often treated in an incantatory way; the title is the Greek word for destiny. The work received a special distinction at the 1999 Prince Pierre of Monaco composition prize.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.