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Transference

by Mary Bellamy

Instrumentation
Cello
Composed
2010
Duration
11'30''
Publisher
Composers Edition (ce-mb3t1)
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About this piece

A solo cello piece of about 11½ minutes, written in 2009–10 in close collaboration with cellist Séverine Ballon, who premiered it at Kings Place, London, in March 2010 and recorded it for the Huddersfield Contemporary Records CD Transference with ELISION. The music stays mostly at the edge of audibility, passing quiet, fragile sounds between registers through lightly and half-pressed fingers, changing bow pressure, multiphonics and many kinds of glissando, set against louder, more percussive passages. The score asks for quarter-tones, a wooden bow mute, a retuned C string, circular bowing, finger percussion and col legno battuto; amplification is optional, suggested for very dry halls.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.