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Two Etudes after Mantegna

by Arlene Sierra

Instrumentation
Cello
Composed
1998
Duration
10'
Publisher
Cecilian Music
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About this piece

Two études for unaccompanied cello (1998), about ten minutes in all, dedicated to Michael Langer and drawn from paintings by the Renaissance artist Andrea Mantegna. In the score the first étude is headed 'Maria mit dem schlafenden Kind' (Mantegna's Madonna with the Sleeping Child); the composer's catalogue lists the movements as 'Visage' and 'Painter's Process', the same titles she later used for her orchestral Mantegna Diptych (2000). Much of the writing sets a bowed line on one staff against plucked notes on another, with trills, glissandi, harmonics, sul ponticello and rapid irregular tuplets. The US premiere was at Yellow Barn's portrait concert of her music in July 2013.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.