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In Memoriam September 11, 2001

by Meira Warshauer

Instrumentation
Cello
Composed
2001
Duration
4'30''
Publisher
Kol Meira Publications
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About this piece

A short elegy for unaccompanied cello that Warshauer sketched in Columbia, South Carolina, in the days after the September 11, 2001 attacks; in her note she calls it her way of 'holding each other in our loss'. Marked 'Slow, mournful' and 'freely', it is a single, song-like line that climbs from the low strings into the high treble register and then sinks back to a hushed close in the low register. The composer offers the score (revised 2005) as a free download in return for advance notice of public performances. Versions also exist for other solo instruments and duos and for solo cello with strings or a cello ensemble.

Technical overview

A slow, single-line elegy that ranges from the low strings to sustained notes above the treble staff (around A5-B5) in thumb position, with wide leaps between registers and long slurred phrases. Constant rubato, ritardandi and meter changes (4/4, 3/4, 5/4, 2/4) shape the line; there are no double stops.

Technical focus

  • Thumb Position
  • Shifting
  • Rubato
  • Tempo Changes
  • Meter Changes
  • Legato
  • Sustain
  • Hairpin Dynamics
  • Dynamics

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.