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In Memoriam September 11, 2001 (cello and strings)

by Meira Warshauer

Instrumentation
Cello, String Orchestra
Composed
2002
Duration
8'
Publisher
Kol Meira Publications
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About this piece

The 2002 version of Warshauer's September 11 elegy for solo cello with string ensemble (nine players: 3-2-2-1-1) or string orchestra, and also playable with a six-cello ensemble in an arrangement by Mirel Iancovici. The strings open alone with slow glissandi and then hold quiet, sustained chords around the solo line, which is the same as in the unaccompanied version. In a postscript the composer writes that the accompaniment conveys a sense of space, picturing 'the lone cello voice wandering amidst the ruins'. It lasts about 7 to 9 minutes.

Technical overview

The solo part is the unaccompanied elegy: a slow single line with sustained notes above the treble staff in thumb position, wide leaps, long slurred phrases and constant rubato and meter changes, here coordinated with a sustained string accompaniment and tempo changes led by a conductor.

Technical focus

  • Thumb Position
  • Shifting
  • Rubato
  • Tempo Changes
  • Meter Changes
  • Legato
  • Sustain
  • Hairpin Dynamics
  • Dynamics

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.