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Cajón

by Nina Shekhar

Instrumentation
Cello
Composed
2016
Duration
6'30''
Publisher
Composer (self-published)
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About this piece

Cajón (2016) is a solo cello piece of about six and a half minutes that turns the cello into a percussion instrument, after the Peruvian box drum of the title. In her program note the composer explains that she first pictured cello playing alongside a cajón, then decided the cello itself could be the cajón; the music draws on modes and rhythms from Indian and Arabic music. The player strikes different parts of the instrument with both hands and stamps the floor, alongside pizzicato, harmonics and short bowed, folk-like phrases, and the piece grows more intense and virtuosic towards the end. It was written for cellist Joshua DeVries, who first played it at a University of Michigan student composers' concert on 13 April 2016.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.