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Circling (Kreisen)

by Elizabeth R. Austin

Instrumentation
Cello, Piano
Composed
1982
Duration
9'39''
Publisher
P.J. Tonger Musikverlag (also American Composers Edition)

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About this piece

Circling is a four-movement work for cello and piano from 1982, lasting about nine and a half minutes. Each movement is headed by a drawn circle figure, and the composer's preface explains that the circles stand for the relationship between the two players: the first movement is deliberately unsynchronized to suggest aloofness and isolation, the second is a 'pas de deux', the third a playful game of 'target', and the finale's interlocking quasi-modal writing suggests resolution and union. The idiom is freely atonal, and the piano part has an optional pair of finger cymbals laid on the strings. The score is published by P.J. Tonger (Cologne, 2003) and is also sold by the American Composers Alliance.

Technical overview

The cellist plays unsynchronized, proportionally timed passages of rolled pizzicato and bowed chords with jeté, then con sordino lines with natural harmonics reaching into tenor and treble clef, and a quick, accented third movement of snapped dotted figures in changing meters (4/4, 3/4, 5/4).

Technical focus

  • Pizzicato
  • Double Stops
  • Harmonics
  • Dotted Rhythms
  • Meter Changes
  • Accidentals
  • Hairpin Dynamics
  • Collaboration with Piano

Level rubric

Advanced

Left Hand

  • Unrestricted fingerboard operation.
  • Effortless high‑register passages with thumb position.
  • Execute large leaps, rapid shifts & fast runs with precise intonation.
  • Render double stops with clarity and even vibrato.
  • Crisp, stylistically appropriate ornamentation (trills, turns, mordents).
  • Instinctive micro‑adjustments in intonation for expressiveness.
  • False harmonics in low positions

Right Hand

  • Complete command of all bow strokes at any tempo/dynamic.
  • Comfortable execution of virtuoso passages (sautillé, intricate ricochet).
  • Tone projection from whisper‑quiet to fortissimo.
  • Integrate advanced bow patterns with expressive phrasing.
  • Demonstrate technical precision with a broad dynamic range.

Rhythm & Musicality

  • Interpret large‑scale structures with nuanced pacing and rhythmic freedom.
  • Highly refined phrasing with subtle note grouping & expressive rubato.
  • Convey emotional depth and stylistic authenticity.
  • Incorporate personal interpretive choices while meeting stylistic demands.

Levels are approximate guides, not strict requirements.