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Variations sur quatre haïkus

by Sophie Lacaze

Instrumentation
Cello
Composed
2009
Duration
10'25''
Publisher
Éditions Delatour France (DLT2408)
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About this piece

Four short pieces for solo cello, each headed by a haiku printed in French and English in the score: Buson's spring rain, Sodō's walk home after moon-viewing, Issa's meandering breeze and Bashō's skylark. Lacaze wrote the set in 2009 for cellist Florian Lauridon, who premiered it in January 2010 at a concert of the ensemble L'Itinéraire in Paris. The movements are miniatures of about 1½ to 4 minutes each, and each is built from one idea: a pizzicato pattern over a repeated note, a slow study in vibrato and bow colour, a fast sul ponticello flurry, and sustained double stops answered by left-hand pizzicato harmonics. That makes it a compact way into contemporary sound-colour writing for a student.

Technical overview

The cellist plays a pizzicato movement with plucked double stops, changes between senza vibrato, molto vibrato, sul ponticello and ordinario within single notes, and plays fast flautando chromatic runs high in treble clef. In the last movement sustained bowed double stops are combined with left-hand pizzicato and harmonics, notated on two staves.

Technical focus

  • Pizzicato
  • Double Stops
  • Thumb Position
  • Harmonics
  • Vibrato
  • Hairpin Dynamics
  • Bow Control
  • Accidentals

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.