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Immobilité sérieuse II

by Sophie Lacaze

Instrumentation
Cello, String Orchestra
Composed
2020
Duration
10'
Publisher
Composer (self-published)
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About this piece

A ten-minute work for solo cello and string orchestra, the second in Lacaze's series of pieces for a solo instrument and strings that pay homage to Erik Satie. Each of its three parts takes off from a short text: Satie's own playing direction about preparing 'by serious immobilities', a haiku by Bashō about a gust of wind and resting leaves, and lines by Raymond Queneau about Pluto and the music of the spheres. It was commissioned by the City of Tourcoing and its conservatoire during Lacaze's residency there, and premiered by Valérie Dulac with the Ensemble Orchestral Contemporain and the Orchestre national d'Auvergne under Bruno Mantovani at the Musiques Démesurées festival in Clermont-Ferrand. In the published score excerpt the cello plays freely, independent of the orchestra, while six orchestral parts sustain pitches on bottles.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.