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Cigarillos

by Nelly LiPuma

Instrumentation
Cello, Piano
Composed
2009
Duration
4'40''
Publisher
Composer (self-published)
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About this piece

A short, groove-driven piece for cello and piano, written in Vienna in October 2009. The piano holds a repeating bass riff and offbeat chords throughout, while the cello moves from long held notes high in tenor and treble clef to accented repeated-note and double-stop passages over frequently changing meters (7/8, 5/8, 9/8). Two humorous effects are written into the part: tapping the strings with the wood of the bow while stopping them with the other hand, and knocking on the cello's top with the bow screw. The piece ends with a long repeated-note fade to pppp before a closing chord. The composer offers the score as a free download under a Creative Commons licence.

Technical overview

The cellist sustains long notes and accented repeated-note figures in tenor and treble clef up to the thumb-position range, plays double and triple stops, and keeps time through frequent changes between 4/4, 7/8, 5/8, 6/8 and 9/8. The part also has pizzicato passages, a glissando into harmonics, col legno tapping and knocking on the instrument's top.

Technical focus

  • Meter Changes
  • Double Stops
  • Thumb Position
  • Pizzicato
  • Articulation
  • Harmonics
  • Dynamics
  • Collaboration with Piano

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.