Skip to content

Nichts, Op. 17

by Akiana Molina

Instrumentation
Cello, Piano
Composed
2011
Duration
4'
Publisher
Composer (self-published)
More by this composer

Purchase or download

About this piece

Nichts ('Nothing'), Op. 17, is a short piece of about four minutes for cello and piano, written in Heredia, Costa Rica, in 2011 and dedicated to Fernando Trigueros. It is unmeasured and in a free, modern idiom: the cello plays slow, sustained lines that rise from the low C string and fall back, framed by piano clusters, tremolos and rapid cascades in free notation. In one loud passage both players strike with the wood of the bow or hand ('holz/madera'), and the piece dies away 'morendo'. The score is the composer's handwritten manuscript, free on IMSLP.

Technical overview

Unmetered, with mostly long notes and simple rhythms, so the challenge is pacing, tone and coordination with the piano rather than speed. The cello line moves between bass, tenor and treble clef up to about C5, with glissandi, wide dynamic swells and a short col legno passage.

Technical focus

  • Treble Clef
  • Tenor Clef
  • Shifting
  • Hairpin Dynamics
  • Extended Techniques
  • Collaboration with Piano

Level rubric

Late Intermediate

Left Hand

  • Master positions up to 7th.
  • Use 5th–7th positions for high notes; early thumb position basics.
  • Learn treble clef for 4th, 5th, 6th positions.
  • Practice complex shifting with guide‑finger techniques.
  • Manage upper extensions; play double stops (thirds, fourths, sixths) with consistency.
  • Use continuous, selectively applied vibrato.

Right Hand

  • Develop advanced bow strokes: deliberate ricochet & controlled up‑bow staccato.
  • Execute quick string crossings & precise chord articulations.
  • Achieve wide dynamic range while maintaining tone.
  • Seamless transitions between spiccato and legato.
  • Execute multiple stops/chord rolls rapidly.

Rhythm & Musicality

  • Increased complexity: fast passages, intricate syncopation.
  • Detailed phrasing & structure; shape long phrases with rubato.
  • Combine expressive dynamics, vibrato & precise bowing techniques.
  • Further refine ensemble sensitivity & leadership.

Levels are approximate guides, not strict requirements.