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Après l'abîme

by Cristina Vilallonga

Instrumentation
Cello, Piano
Composed
1998
Duration
12'50''
Publisher
Editorial Boileau (B.3460)
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About this piece

Après l'abîme is a 13-minute atonal work for cello and piano, written in Paris in 1998, in two movements and a coda. In her note for the Boileau edition, Vilallonga explains that she gave it a French title because it was written in Paris, and that the title reflects its introspective but not lightless character. She describes the cello and piano sometimes conversing, sometimes with the cello floating above the piano, and sometimes acting together like elements of a painting. The piece develops its motifs and explores the timbres of both instruments.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.