Skip to content

Portrait

by Charlotte Bray

Instrumentation
Cello
Composed
2009
Duration
11'
Publisher
Faber Music
More by this composer

Purchase or download

About this piece

A five-movement work for unaccompanied cello, about 11 minutes long, written in 2009 while Charlotte Bray was Composer-in-Residence with Birmingham Contemporary Music Group and revised in 2023. In her note the composer says the title reflects a wish to depict the cello through its range of tones and colours, and the movements (Touch, Unfold, To lose, To hold, to feel, Release) take their cue from Richard Serra's idea of a 'verb list' about touch. The second movement is played pizzicato throughout, and the last two movements run together. The composer's site notes that the piece is on ABRSM's FRSM (Fellowship) cello repertoire list.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.