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Saint Elizabeth Bells

by Kati Agócs

Instrumentation
Cello, Other
Composed
2012
Duration
10'
Publisher
Kati Agócs Music (self-published)
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About this piece

A duo for cello and cimbalom (the Hungarian concert hammered dulcimer) of about ten minutes, written in 2012 in memory of the composer's father, Sándor András Agócs (1932–2011). Its phrases are built from the intervals of the bells of Saint Elizabeth Cathedral in central Budapest, which he would have heard from his room in the neighbouring hospital during his last days. It was commissioned by New York cellist André Emelianoff, who encouraged Agócs to include the cimbalom as a link to her Hungarian roots, and was premiered by Paul Katz and Nicholas Tolle at New England Conservatory in 2013. In the composer's note the piece is described as "not mournful" but light and meditative.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.