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Frieze

by Reginald Bain

Instrumentation
Cello, Piano
Composed
2011
Duration
10'19''
Publisher
Composer (self-published)
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About this piece

A suite of seven short movements for cello and piano (about ten minutes in total) that turns the mathematical frieze groups, patterns that repeat infinitely along a line, into musical gestures in pitch and time. The title also refers to the decorative horizontal band along the top of a wall in architecture. It was commissioned by cellist Robert Jesselson and pianist Charles Fugo for the thirtieth anniversary of their duo, who recorded it on the 2012 album Carolina Cellobration. The movements (Molecular Presentation, Mosaic, Constructed Resonance, Identity, Lattice, Jump, Translation) each last between about one and two and a half minutes.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.