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Princesa de Hadas (Fairy Tale Princess)

by José Elizondo

Instrumentation
Cello, Piano
Composed
1995
Duration
4'
Publisher
Composer (self-published)
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About this piece

A short, tender piece in 3/4 that Elizondo wrote for Argentine poet Patricio Méndez; its title comes from a line in one of Méndez's poems describing his beloved. The composer deliberately kept the music simple, tonal and lyrical. Its flowing eighth-note melody moves from A minor to A major and back. Besides cello and piano, free versions are available for unaccompanied cello and for cello and guitar, and an orchestral version was made for flutist Şefika Kutluer.

Technical overview

Flowing eighth-note lines under long slurs, with dotted-eighth figures, arpeggiated string-crossing patterns in the A major section, and a few short tenor-clef passages. The part stays within positions 1–4 and has dynamic swells and a closing rallentando.

Technical focus

  • Legato
  • 4 Note Slurs
  • Dotted Rhythms
  • String Crossings
  • Shifting
  • Accidentals
  • Dynamics
  • Hairpin Dynamics
  • Tempo Changes
  • Collaboration with Piano

Level rubric

Intermediate

Left Hand

  • Fluent in positions 1–4 with confident shifts & reliable intonation.
  • Introduce 5th position via scales/études.
  • Learn tenor clef for higher passages.
  • Early exposure to thumb position basics.
  • Refine combined shifting & extensions.
  • Advance double stops (two‑note chords).
  • Refine vibrato for expressive shaping.

Right Hand

  • High control over multiple bow strokes.
  • Advanced spiccato for fast passages; reliable sautillé.
  • Apply martelé at frog and mid‑bow.
  • Execute rapid string crossings with minimal arm movement.
  • Adjust contact point to modulate tone.
  • Introduce complex bow patterns & chord rolling.

Rhythm & Musicality

  • Faster tempos & varied meter challenges.
  • Tackle compound meters, intricate ornaments & syncopation.
  • Deepen expressive phrasing; analyze piece structure.
  • Clear dynamic contrasts; introduce slight rubato.
  • Enhance ensemble sensitivity.

Levels are approximate guides, not strict requirements.