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Danzas Latinoamericanas (Latin American Dances)

by José Elizondo

Instrumentation
Cello, Piano
Composed
1997
Duration
13'
Publisher
Composer (self-published)
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About this piece

A three-movement suite commissioned by and dedicated to Mexican cellist Carlos Prieto, based on dances from three countries: an Argentine tango (Otoño en Buenos Aires), a Brazilian bossa nova (Pan de Azúcar) and a Mexican jarabe (Atardecer Tapatío). The movements can be played separately. Otoño en Buenos Aires has been widely performed, including by Yo-Yo Ma, whose 2016 Munich concert DVD includes it as a cello duet with Maximilian Hornung. Elizondo offers the suite free in many versions, including unaccompanied cello, cello and guitar, cello duos, cello ensembles of 3 to 8 players, and cello with string orchestra.

Technical overview

The tango uses tenor and treble clef up to G5, double stops in thirds and sixths, mordents and grace notes, with staccato and portato articulation. The bossa nova is a long sustained line in A-flat major. The 6/8 finale needs light lifted strokes, cross-accents that make it feel like 3/4, and a short pizzicato passage.

Technical focus

  • Thumb Position
  • Shifting
  • Double Stops
  • Articulation
  • Pizzicato
  • Rhythm
  • Accidentals
  • Dynamics
  • Hairpin Dynamics
  • Tempo Changes
  • Collaboration with Piano

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.