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Tetratunes for Cello

by Sheila Nelson

Instrumentation
Cello
Composed
1980
Publisher
Boosey & Hawkes (BH 1200093; ISMN 979-0-060-03938-6); piano accompaniment published separately

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About this piece

Sheila Nelson's first reading book for young cellists, the companion to her Stringsongs. It teaches note reading in small steps: the first tunes are written as rows of open-string letter names to bow in rhythm, and then each string is learned as a block of four neighbouring notes before the next is added. As the publisher puts it, the system "develops physical skills slightly ahead of note-reading" [1], so children play with confidence while the reading catches up. Swingalong from the book is set for the ABRSM Initial cello exam.
  1. boosey.com

Technical overview

The opening pieces are open-string letter tunes on D, A and G that practise bowing and string changes. Later tunes are in staff notation on one string at a time, in first position, using four-note groups such as G-A-B-C on the G string, in 3/4 with crotchets, quavers and dotted minims.

Technical focus

  • Detaché
  • Dynamics
  • G String Notes
  • Rhythm
  • String Crossings

Level rubric

Beginner

Left Hand

  • 1st position on all strings with fingers 1–4.
  • Understand whole/half steps
  • No shifting; notes stay in 1st position.
  • Focus on accurate finger placement.

Right Hand

  • Consistent détaché for simple melodies.
  • Extend bow (mid‑bow) on a straight path.
  • Introduce short (2–3 note) slurs.
  • Begin basic string crossings; occasional open‑string double stops.

Bow Strokes

  • Détaché and on‑string staccato.
  • Introduce simple legato (short slurs) and bow retakes.

Rhythm & Musicality

  • Simple rhythms with basic subdivisions.
  • Short phrases; limited dynamic contrasts; echo dynamics.
  • Develop a singing, accurate tone.

Levels are approximate guides, not strict requirements.