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Voices from the Other Side

by Margi Griebling-Haigh

Instrumentation
Cello Ensemble, Vocal
Composed
1999
Duration
17'34''
Publisher
Musicalligraphics (composer's own edition)
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About this piece

Three settings of poems by Edna St. Vincent Millay for soprano and eight cellos, commissioned by Richard Aaron for the Cleveland Institute of Music Cello Ensemble and premiered at the College of Wooster in January 2000. In the composer's words, "all three of the poems are either addressed from or to otherworldly voices."[1] The 2024 recording by soprano Gabrielle Haigh and the Erie Coast Cellists gave its name to an album that pairs it with cello-ensemble works by Pärt and Villa-Lobos.
  1. navonarecords.com

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.