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Petits Morceaux, Op. 16

by William Henry Squire

Instrumentation
Cello, Piano
Publisher
Stainer & Bell (H409); also in The Squire Cello Solo Collection (Carl Fischer BF47) under English titles
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About this piece

Five short character pieces for cello and piano that Squire, one of the leading English cellists of his day, wrote for his own pupils: Triste, Joyeuse, Le Plaisir, Le Bonheur and L'Innocence. Carl Fischer's American edition calls them At Twilight, At Morn, In Dreamland, Cradle Song and Fairy Tales. Each piece has its own character, from the singing Triste to the bright Joyeuse, and they work well singly or as a set on a student recital.

Technical overview

All five stay in first position, with forward and backward extensions fingered in the part. They move through C, F, G, B-flat and D major in 2/4, 3/4, 4/4 and 6/8, with triplets, slurred sixteenth-note runs, staccato and hooked bowings, and plenty of accidentals.

Technical focus

  • Accidentals
  • Collaboration with Piano
  • Dynamics
  • Extensions
  • Hairpin Dynamics
  • Hooked Bowings
  • Legato
  • Staccato
  • String Crossings
  • Triplets

Level rubric

Late Beginner

Left Hand

  • Mostly 1st position with small extensions.
  • Early shifting to 2nd/3rd positions.
  • Controlled vibrato on sustained notes.

Right Hand

  • Expanded bow technique for faster passages & wider dynamics.
  • Longer slurs (3–4 notes).
  • Hooked bowing for dotted rhythms.
  • Practice basic martelé accents.
  • Increase speed in string crossings with minimal arm movement.

Bow Strokes

  • Standard détaché; add staccato, martelé, short slurs, hooked strokes.

Rhythm & Musicality

  • Incorporate dotted figures, compound meters (6/8), triplets & syncopation.
  • Develop subdivision sense; introduce rubato in small measures.
  • Slightly longer phrases.
  • Introduce basic dynamic shading.

Levels are approximate guides, not strict requirements.