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Nina (Tre giorni son che Nina)

by Giovanni Battista Pergolesi · arranged by William Henry Squire

Instrumentation
Cello, Piano
Publisher
Augener, London, 1906 (Six Classical Transcriptions for Violoncello and Piano, No. 7752); arranged by W. H. Squire
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About this piece

The Italian song "Tre giorni son che Nina," set for cello and piano by W. H. Squire in his Six Classical Transcriptions (Augener, 1906). The edition credits it to Pergolesi, as was usual then; it is now usually attributed to Vincenzo Legrenzio Ciampi.

Technical overview

Andante con moto in 4/4, B-flat major, all in bass clef. The singing line shifts up to fourth position, with glissandos, echo dynamics and a few loud chords.

Technical focus

  • Accidentals
  • Collaboration with Piano
  • Double Stops
  • Dynamics
  • Glissando
  • Grace Notes
  • Hairpin Dynamics
  • Legato
  • Shifting

Level rubric

Intermediate

Left Hand

  • Fluent in positions 1–4 with confident shifts & reliable intonation.
  • Introduce 5th position via scales/études.
  • Learn tenor clef for higher passages.
  • Early exposure to thumb position basics.
  • Refine combined shifting & extensions.
  • Advance double stops (two‑note chords).
  • Refine vibrato for expressive shaping.

Right Hand

  • High control over multiple bow strokes.
  • Advanced spiccato for fast passages; reliable sautillé.
  • Apply martelé at frog and mid‑bow.
  • Execute rapid string crossings with minimal arm movement.
  • Adjust contact point to modulate tone.
  • Introduce complex bow patterns & chord rolling.

Rhythm & Musicality

  • Faster tempos & varied meter challenges.
  • Tackle compound meters, intricate ornaments & syncopation.
  • Deepen expressive phrasing; analyze piece structure.
  • Clear dynamic contrasts; introduce slight rubato.
  • Enhance ensemble sensitivity.

Levels are approximate guides, not strict requirements.