Skip to content

Five Negro Spirituals

by Traditional · arranged by Lawrence Brown

Instrumentation
Cello, Piano
Composed
1923
Publisher
Free engraved edition (score and cello part) shared by the Sphinx Organization
More by this composer

Purchase or download

About this piece

Five spirituals set for cello and piano by Lawrence Brown (1893–1972), the son of a formerly enslaved father and for many years Paul Robeson's accompanist [1]: Nobody knows de trouble I've seen, Ev'ry time I feel de spirit, Sometimes I feel like a motherless child, I know de Lord's laid his hands on me, and Swing low, sweet chariot. Slow, singing settings alternate with brisk, marcato ones. The Sphinx Competition sets a selection from the set as Junior Division repertoire [2], and the set opens Anthony Elliott and Toni-Marie Montgomery's album Music for Cello and Piano by African-American Composers.
  1. afrovoices.com
  2. docs.google.com

Technical overview

Moves between bass, tenor and treble clefs, climbing to D on the A string in the faster songs. Keys run up to four sharps and five flats. Dotted rhythms, triplets, grace notes and quick ornamental figures, but no double stops. Tempos range from Lento sostenuto to Allegro marcato, with ritenutos, fermatas and a closing Adagio.

Technical focus

  • Accidentals
  • Collaboration with Piano
  • Dotted Rhythms
  • Dynamics
  • Grace Notes
  • Hairpin Dynamics
  • Legato
  • Shifting
  • Tempo Changes
  • Tenor Clef
  • Treble Clef
  • Triplets

Level rubric

Late Intermediate

Left Hand

  • Master positions up to 7th.
  • Use 5th–7th positions for high notes; early thumb position basics.
  • Learn treble clef for 4th, 5th, 6th positions.
  • Practice complex shifting with guide‑finger techniques.
  • Manage upper extensions; play double stops (thirds, fourths, sixths) with consistency.
  • Use continuous, selectively applied vibrato.

Right Hand

  • Develop advanced bow strokes: deliberate ricochet & controlled up‑bow staccato.
  • Execute quick string crossings & precise chord articulations.
  • Achieve wide dynamic range while maintaining tone.
  • Seamless transitions between spiccato and legato.
  • Execute multiple stops/chord rolls rapidly.

Rhythm & Musicality

  • Increased complexity: fast passages, intricate syncopation.
  • Detailed phrasing & structure; shape long phrases with rubato.
  • Combine expressive dynamics, vibrato & precise bowing techniques.
  • Further refine ensemble sensitivity & leadership.

Levels are approximate guides, not strict requirements.