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Puneña No. 2, Op. 45 (Hommage à Paul Sacher)

by Alberto Ginastera

Instrumentation
Cello
Composed
1976
Duration
9'
Publisher
Boosey & Hawkes, edited by Mstislav Rostropovich
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About this piece

Ginastera wrote Puneña No. 2 for unaccompanied cello in 1976, when Mstislav Rostropovich asked twelve composers for cello pieces to mark the conductor Paul Sacher's seventieth birthday. Rostropovich gave the premiere in Zurich on 2 May 1976. The title points to the Puna, the high Andean plateau of northern Argentina, and the two movements take their names from Andean music: Harawi, after the Quechua song of longing and lament, and Wayno Karnavalito, after the huayno and carnavalito dances. It is one of the most demanding works in the solo cello repertoire, and its extended techniques and folk sources have drawn scholarly study.

Technical overview

Two movements for unaccompanied cello, about nine minutes, with extended techniques drawn from Andean folk music.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.