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Air

by Eduardo Martinelli

Instrumentation
Cello, Cello
Publisher
Musica Brasilis (free download; rights held by the composer and licensed to the Instituto Musica Brasilis)
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About this piece

Eduardo Martinelli built Air from melodic fragments of J. S. Bach and of Agripino, the Pantanal master of the viola de cocho, and dedicated it to the Duo Santoro. Marked Doloroso, it opens with both cellos plucking: cello 1 sings a turning sixteenth-and-eighth figure while cello 2 strikes three-note chords beneath it. The players then take up their bows at pianissimo for a darker middle section coloured by A-flats and E-flats, before the opening tune comes back and slows to a held final chord. At 21 bars it is the shortest of Martinelli's three Agripino duets for the Duo Santoro, alongside Cor de canela and Marrequinha.

Technical overview

A slow C major piece in 4/4 at quarter = 60, in bass clef throughout. Both parts begin pizzicato, with cello 2 plucking three-note chords and cello 1 a melody that climbs to fourth position on the A string. After the change to arco, cello 1 has chromatic lines and a bar of slurred sixteenths that cross down to the open G string, while cello 2 bows double stops over the open C; two rallentandos and a closing fermata ask the pair to shape the tempo together.

Technical focus

  • Accidentals
  • Chords
  • Double Stops
  • Ensemble Skills
  • Hairpin Dynamics
  • Legato
  • Pizzicato
  • Shifting
  • String Crossings
  • Tempo Changes

Level rubric

Intermediate

Left Hand

  • Fluent in positions 1–4 with confident shifts & reliable intonation.
  • Introduce 5th position via scales/études.
  • Learn tenor clef for higher passages.
  • Early exposure to thumb position basics.
  • Refine combined shifting & extensions.
  • Advance double stops (two‑note chords).
  • Refine vibrato for expressive shaping.

Right Hand

  • High control over multiple bow strokes.
  • Advanced spiccato for fast passages; reliable sautillé.
  • Apply martelé at frog and mid‑bow.
  • Execute rapid string crossings with minimal arm movement.
  • Adjust contact point to modulate tone.
  • Introduce complex bow patterns & chord rolling.

Rhythm & Musicality

  • Faster tempos & varied meter challenges.
  • Tackle compound meters, intricate ornaments & syncopation.
  • Deepen expressive phrasing; analyze piece structure.
  • Clear dynamic contrasts; introduce slight rubato.
  • Enhance ensemble sensitivity.

Levels are approximate guides, not strict requirements.