Skip to content

Galope e romance

by Joaquim Santos

Instrumentation
Cello, Cello
Composed
2022
Publisher
Musica Brasilis (free download; rights held by the composer and licensed to the Instituto Musica Brasilis)
More by this composer

Purchase or download

About this piece

Joaquim Santos, a guitarist and composer born in São Luís, Maranhão, in 1951, played in the Camerata Carioca alongside Radamés Gnattali and has researched his home state's bumba-meu-boi and tambor de crioula traditions. He wrote Galope e romance for the Duo Santoro in 2022. The outer Allegro gallops on repeated staccato notes in an eighth-and-two-sixteenths rhythm, which the two cellos pass back and forth under a G major tune. In the middle, a Larghetto romance in 3/4 gives cello 1 a long singing line in tenor clef over slurred two-note figures in cello 2, closing on a quiet harmonic before the gallop returns and ends on a plucked chord.

Technical overview

G major, 4/4 at quarter = 94, with a repeated opening section. The galope is built on staccato repeated notes in an eighth-two-sixteenths pattern, often as double stops against open strings, so both players need a light, even bow at speed; the melody passages climb to 4th position on the A string. The Larghetto (3/4, quarter = 60) takes cello 1 into tenor clef and the upper positions for a long legato line full of A-flats and E-flats, ending on a high harmonic, while cello 2 crosses strings in slurred pairs; both parts finish pizzicato.

Technical focus

  • Accidentals
  • Double Stops
  • Ensemble Skills
  • Harmonics
  • Legato
  • Meter Changes
  • Pizzicato
  • Shifting
  • Staccato
  • Tempo Changes
  • Tenor Clef

Level rubric

Late Intermediate

Left Hand

  • Master positions up to 7th.
  • Use 5th–7th positions for high notes; early thumb position basics.
  • Learn treble clef for 4th, 5th, 6th positions.
  • Practice complex shifting with guide‑finger techniques.
  • Manage upper extensions; play double stops (thirds, fourths, sixths) with consistency.
  • Use continuous, selectively applied vibrato.

Right Hand

  • Develop advanced bow strokes: deliberate ricochet & controlled up‑bow staccato.
  • Execute quick string crossings & precise chord articulations.
  • Achieve wide dynamic range while maintaining tone.
  • Seamless transitions between spiccato and legato.
  • Execute multiple stops/chord rolls rapidly.

Rhythm & Musicality

  • Increased complexity: fast passages, intricate syncopation.
  • Detailed phrasing & structure; shape long phrases with rubato.
  • Combine expressive dynamics, vibrato & precise bowing techniques.
  • Further refine ensemble sensitivity & leadership.

Levels are approximate guides, not strict requirements.