Skip to content

Trupé dos Olhos d'Água

by Syrlane Albuquerque

Instrumentation
Cello, Cello
Publisher
Musica Brasilis (free download; rights held by the composer and licensed to the Instituto Musica Brasilis; ISMN 979-0-69653-450-7)
More by this composer

Purchase or download

About this piece

Syrlane Albuquerque was born in Recife in 1980 and now lives in the United States. The composer's music mixes concert writing with Brazilian dances and sounds, draws on Villa-Lobos, Bartók and Ariano Suassuna's Armorial Movement, and keeps in touch with home through what the Musica Brasilis biography calls 'virtual ethnomusicology', research from videos and texts online. Trupé dos Olhos d'Água, written for the Duo Santoro, had its world premiere on the duo's tour of Rio de Janeiro state in August and September 2025. Marked Enérgico, it runs on a stamping C minor ostinato of accented sixteenths that one cello hammers out while the other sings a long espressivo tune; the players swap roles, slow down for a dolce Andante, and return to the dance for a fortissimo close.

Technical overview

C minor in 2/4 with occasional bars of 1/4, Enérgico at quarter = 92, with an Andante at quarter = 80 in the middle. Long runs of accented staccato sixteenths on repeated notes need a light, even stroke, and cello 1 jumps from the bass staff to treble-clef notes with sfz accents. The melodic passages ask for long slurred phrases with chromatic turns over the other part's ostinato, and a passage repeated four times changes dynamic on each pass (p for the first two, f for the last two).

Technical focus

  • Accidentals
  • Ensemble Skills
  • Hairpin Dynamics
  • Marcato
  • Meter Changes
  • Shifting
  • Staccato
  • Syncopation
  • Tempo Changes
  • Treble Clef

Level rubric

Late Intermediate

Left Hand

  • Master positions up to 7th.
  • Use 5th–7th positions for high notes; early thumb position basics.
  • Learn treble clef for 4th, 5th, 6th positions.
  • Practice complex shifting with guide‑finger techniques.
  • Manage upper extensions; play double stops (thirds, fourths, sixths) with consistency.
  • Use continuous, selectively applied vibrato.

Right Hand

  • Develop advanced bow strokes: deliberate ricochet & controlled up‑bow staccato.
  • Execute quick string crossings & precise chord articulations.
  • Achieve wide dynamic range while maintaining tone.
  • Seamless transitions between spiccato and legato.
  • Execute multiple stops/chord rolls rapidly.

Rhythm & Musicality

  • Increased complexity: fast passages, intricate syncopation.
  • Detailed phrasing & structure; shape long phrases with rubato.
  • Combine expressive dynamics, vibrato & precise bowing techniques.
  • Further refine ensemble sensitivity & leadership.

Levels are approximate guides, not strict requirements.