Skip to content

Through the Low Hills

by Linda Catlin Smith

Instrumentation
Cello, Piano
Composed
1995
Duration
8'
Publisher
Canadian Music Centre (manuscript, printed by CMC), RSN 50623

Purchase or download

About this piece

Linda Catlin Smith wrote Through the Low Hills in 1995 for the cellist Andrew Smith, who gave the premiere with pianist Antonio Artese at the Lotte Lehmann Concert Hall in Santa Barbara, California, in May 1995. At quarter note = 56, the cello sings in its upper register while the piano answers with low, spare chords, and the metre changes almost every bar. In the later pages the cello moves to slow, sustained double stops over a steadier pulse in the piano, and the music eases to a slightly slower tempo near the end. Anton Lukoszevieze and Kerry Yong recorded it for Another Timbre on the album Ballad (2021).

Technical overview

Written by hand in bass clef, the cello line stays high on the A string, from around middle C into the octave above, while the metre shifts among 5/4, 2/4, 3/4, 4/4, 3/8 and 6/8. The second half is built on long double stops that need an even bow and careful intonation at quiet dynamics, mostly between p and mf.

Technical focus

  • Bow Control
  • Collaboration with Piano
  • Double Stops
  • Dynamics
  • Hairpin Dynamics
  • Legato
  • Meter Changes
  • Shifting

Level rubric

Advanced

Left Hand

  • Unrestricted fingerboard operation.
  • Effortless high‑register passages with thumb position.
  • Execute large leaps, rapid shifts & fast runs with precise intonation.
  • Render double stops with clarity and even vibrato.
  • Crisp, stylistically appropriate ornamentation (trills, turns, mordents).
  • Instinctive micro‑adjustments in intonation for expressiveness.
  • False harmonics in low positions

Right Hand

  • Complete command of all bow strokes at any tempo/dynamic.
  • Comfortable execution of virtuoso passages (sautillé, intricate ricochet).
  • Tone projection from whisper‑quiet to fortissimo.
  • Integrate advanced bow patterns with expressive phrasing.
  • Demonstrate technical precision with a broad dynamic range.

Rhythm & Musicality

  • Interpret large‑scale structures with nuanced pacing and rhythmic freedom.
  • Highly refined phrasing with subtle note grouping & expressive rubato.
  • Convey emotional depth and stylistic authenticity.
  • Incorporate personal interpretive choices while meeting stylistic demands.

Levels are approximate guides, not strict requirements.