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Miniatures in India

by Neva Tesolin

Instrumentation
Cello, Piano
Composed
2003
Duration
12'25''
Publisher
Canadian Music Centre (unpublished, printed by CMC), RSN 78051, call no. MI 3213 T341min 2003
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About this piece

Neva Tesolin, a composer from St. Catharines, Ontario, wrote Miniatures in India in 2003 while on sabbatical from teaching; it was her first suite. It grew out of the talas and ragas she learned at the Vijnana Kala Vedi Cultural Centre in Aranmula, Kerala. 'Prayers Ignite' recalls the strings of firecrackers hung over the village streets, each explosion a personal prayer; 'Temple Incense' is loosely based on the Bimplas raga; and 'The River Pamba', named for the holy river that runs through Aranmula, uses the raga Maya Malava Gowla and the sa, pa, sa that frames Carnatic devotional music. Cellist Gord Cleland and pianist Erika Reiman gave the premiere at Brock University in 2004.

Technical overview

'Prayers Ignite' is a marcatissimo scherzando in tenor and bass clef, with accented sixteenth-note figures, sfp high notes, trills and a slide to a random high note. 'Temple Incense' is a slow Andante espressivo in 4/4 and 3/4, mostly in bass clef, with long sustained lines and a pizzicato passage. 'The River Pamba' climbs through tenor into treble clef and adds a measured trill that accelerates, a scherzando section over busy piano writing, and a quiet Adagio ending.

Technical focus

  • Accidentals
  • Collaboration with Piano
  • Glissando
  • Marcato
  • Meter Changes
  • Pizzicato
  • Shifting
  • Tempo Changes
  • Tenor Clef
  • Treble Clef
  • Trills

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.