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Song for the Earth

by Sylvia Rickard

Instrumentation
Cello, Piano
Composed
2006
Duration
5'
Publisher
Canadian Music Centre (unpublished, printed by CMC), RSN 60777, call no. MI 3213 R539so

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About this piece

The score of Song for the Earth is dated from Monday 20 November to Wednesday 22 November 2006, St Cecilia's Day. In her programme note Sylvia Rickard says she wrote it as 'a healing process' for 'our precarious Mother Earth', choosing the cello because it is her favourite instrument, and that she set out to show the earth's 'supportive, nurturing, and pleasing nature' rather than the damage done to it. Mark Rudoff and Laura Loewen gave the first performance at the Victoria Conservatory of Music in February 2008. A Molto cantabile in 6/4 gives way to a Leggiero with pizzicato, a free ad libitum passage over sustained piano chords, and a return of the opening tempo.

Technical overview

Opens in 6/4 at quarter note = 72 or slower, with 4/4 sections and an unbarred ad libitum passage. The line spends long stretches in treble clef and climbs to the A above the treble staff at ff, with wide chromatic leaps, grace-note sfz accents and fast thirty-second-note runs. It ends with a tremolo double stop played sul ponticello, then ordinario.

Technical focus

  • Accidentals
  • Double Stops
  • Grace Notes
  • Meter Changes
  • Pizzicato
  • Rubato
  • Shifting
  • Sul Ponticello
  • Tempo Changes
  • Thumb Position
  • Treble Clef
  • Tremolo

Level rubric

Advanced

Left Hand

  • Unrestricted fingerboard operation.
  • Effortless high‑register passages with thumb position.
  • Execute large leaps, rapid shifts & fast runs with precise intonation.
  • Render double stops with clarity and even vibrato.
  • Crisp, stylistically appropriate ornamentation (trills, turns, mordents).
  • Instinctive micro‑adjustments in intonation for expressiveness.
  • False harmonics in low positions

Right Hand

  • Complete command of all bow strokes at any tempo/dynamic.
  • Comfortable execution of virtuoso passages (sautillé, intricate ricochet).
  • Tone projection from whisper‑quiet to fortissimo.
  • Integrate advanced bow patterns with expressive phrasing.
  • Demonstrate technical precision with a broad dynamic range.

Rhythm & Musicality

  • Interpret large‑scale structures with nuanced pacing and rhythmic freedom.
  • Highly refined phrasing with subtle note grouping & expressive rubato.
  • Convey emotional depth and stylistic authenticity.
  • Incorporate personal interpretive choices while meeting stylistic demands.

Levels are approximate guides, not strict requirements.