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My Grouchy Cat

by Sylvia Rickard

Instrumentation
Cello, Piano
Composed
1998
Duration
3'
Publisher
Canadian Music Centre (manuscript, RSN 50897; score 6 pp. and part 2 pp.); also the fifth movement of the suite Summertime, Palliser Music Publishing
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About this piece

Sylvia Rickard wrote My Grouchy Cat in 1998 for the Vancouver cellist Christopher Ross-Ewart, who premiered it in Vancouver on 27 November 1998. It is also the last movement of her suite Summertime for cello and piano, where the publisher notes that the pianist plays some chords with the elbows to show the cat's bad temper. Rickard, a vegetarian and animal-welfare campaigner, packs the cello part with slap pizzicato, sliding glissandi, a 'purr and tickle' passage and spiccato near the bridge, set against a molto legato tenor-clef tune, before a fortissimo close.

Technical overview

In 12/8 at dotted quarter = 66 circa, with passages in 9/8 and 6/8, written as a handwritten manuscript in bass and tenor clef. The part is highly chromatic and full of effects: pizzicato and slap pizzicato, a slow glissando on the A string, ponticello and spiccato sul ponticello, and fortissimo tremolo near the end, alongside molto legato lines that climb into the tenor clef. The Canadian Music Centre grades it Intermediate (RCM Grade 5).

Technical focus

  • Accidentals
  • Collaboration with Piano
  • Dynamics
  • Extended Techniques
  • Glissando
  • Legato
  • Meter Changes
  • Pizzicato
  • Spiccato
  • Sul Ponticello
  • Tenor Clef
  • Tremolo

Level rubric

Intermediate

Left Hand

  • Fluent in positions 1–4 with confident shifts & reliable intonation.
  • Introduce 5th position via scales/études.
  • Learn tenor clef for higher passages.
  • Early exposure to thumb position basics.
  • Refine combined shifting & extensions.
  • Advance double stops (two‑note chords).
  • Refine vibrato for expressive shaping.

Right Hand

  • High control over multiple bow strokes.
  • Advanced spiccato for fast passages; reliable sautillé.
  • Apply martelé at frog and mid‑bow.
  • Execute rapid string crossings with minimal arm movement.
  • Adjust contact point to modulate tone.
  • Introduce complex bow patterns & chord rolling.

Rhythm & Musicality

  • Faster tempos & varied meter challenges.
  • Tackle compound meters, intricate ornaments & syncopation.
  • Deepen expressive phrasing; analyze piece structure.
  • Clear dynamic contrasts; introduce slight rubato.
  • Enhance ensemble sensitivity.

Levels are approximate guides, not strict requirements.