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Elegy

by Barbara Pentland

Instrumentation
Cello, Piano
Composed
1985
Duration
6'
Publisher
Canadian Music Centre (unpublished, printed by CMC), RSN 13319, call no. MI 3213 P419el; new engraving by Kathryn Cernauskas
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About this piece

Barbara Pentland made this Elegy for cello and piano in 1985 from her Elegy for horn and piano of 1980. A Largo sostenuto in 6/4 frames a faster middle: first an aleatory zone, where the cellist plays a given series of notes freely against repeating piano figures and a piano trill cues the next entry, then a 6/8 Allegro in which the cello wavers a quarter tone above and below E-flat. When the Largo returns, the cello plays sul tasto, marked 'lontano', and ends on a long high C while the piano's final chord is left to decay.

Technical overview

Largo sostenuto at quarter = 60, rising from bass clef into treble clef, then a 6/8 Allegro with staccato, sul tasto and sul ponticello. The aleatory zones, a harmonic glissando, measured tremolo and quarter-tone and three-quarter-tone inflections call for an experienced player, and the piece ends on a held high C at pp. About 6 minutes.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.