Janeiro no Rio

by Eli Joory

Instrumentation
Cello, Cello
Publisher
Musica Brasilis (free score and parts, licensed by the composer)
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About this piece

Eli Joory, born in Rio de Janeiro in 1961, dedicated Janeiro no Rio (January in Rio) to the Duo Santoro, and Paulo and Ricardo Santoro recorded it on their 2022 album O Compositor É Vivo!. The piece moves through a chain of moods marked in Portuguese: a 'Vigoroso' opening in which the second cello punches out staccato double stops, a 'Divertido, malemolente' (playful, with a lazy sway) tune in syncopated sixteenths, a 'Cantabile, com emoção' in 6/8 where both parts set duplets and quadruplets against the beat, a plucked 'Saltitante, misterioso' passage and a free 'Tranquilo, desmanchando'. The playful tune then returns, and both players finish on fortissimo double stops, the last one held and fading to pianissimo.

Technical overview

Mostly in 2/4 at quarter note = 70, with sections in 6/8, 9/8 and 3/4, in a chromatic F major. The first cello changes constantly among bass, tenor and treble clef and reaches the E-flat at the top of the treble staff, with syncopated sixteenth-note lines, dotted rhythms, pizzicato and duplets and quadruplets against 6/8. The second cello part is easier and stays in the bass clef, with staccato double stops, running sixteenth-note bass lines, pizzicato and a short measured tremolo.

Technical focus

  • Accidentals
  • Dotted Rhythms
  • Double Stops
  • Ensemble Skills
  • Meter Changes
  • Pizzicato
  • Rubato
  • Shifting
  • Syncopation
  • Tempo Changes
  • Tenor Clef
  • Treble Clef
  • Tremolo
  • Triplets

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.