Fratelli

by Marcos Lucas

Instrumentation
Cello, Cello
Composed
2021
Publisher
Musica Brasilis (free score and parts, licensed by the composer)
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About this piece

Marcos Lucas, born in Rio de Janeiro in 1964, studied composition with Guerra-Peixe and Ricardo Tacuchian, took his doctorate at the University of Manchester and teaches at UNIRIO. He dated Fratelli (Italian for 'brothers') 2021 and dedicated it 'to the Duo Santoro, with friendship', and the twin cellists Paulo and Ricardo Santoro played it, billed as a world premiere, on their March 2021 tour O Compositor é Vivo!. A swaying 'Gingando' opening, in which the first cello snaps between bowed and plucked chords over a syncopated ostinato in the second, gives way to an 'Arioso, molto cantabile', a muted 'Dolente' and a 'Desolato, come un lamento per chi è partito' (desolate, like a lament for one who has left), where the first cello sings high in the treble clef over rippling sul tasto arpeggios. The opening music returns and the piece ends fortissimo.

Technical overview

In D major and 4/4 at quarter note = 92, with slower sections in 6/8, 9/8, 5/8 and 3/4. The first cello moves through bass, tenor and treble clef up to the C two octaves above middle C, with natural harmonics, trills, fast sixteenth-note runs and quick changes between arco and pizzicato; the second cello stays mostly in bass clef with ostinatos, measured sextuplet oscillations, tremolo chords at the tip of the bow and thirty-second-note arpeggios across the strings. Both players use mutes in the Dolente.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.