The Ash Grove: Theme and Variations

by Traditional · arranged by Garth Williams

Instrumentation
Cello, Piano
Composed
2018
Duration
3'
Publisher
Kantata Studios, Duncan, B.C. (arranger's imprint), (c) 2018; distributed by the Canadian Music Centre (RSN 76092, call no. MI 3213 W7235ash; score 8 pp.)
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About this piece

The Ash Grove (Llwyn Onn) is a Welsh folk song whose tune was first printed in 1802 [1]. Garth Williams, a British Columbia string teacher who publishes his teaching pieces through his own Kantata Studios, set it for cello and piano as a short theme and variations [2][3][4]. The cello states the tune in G major, then plucks broken chords pizzicato while the piano takes over the melody, and then slows to a quiet Grave in G minor with double stops before the tune comes back in G major to close [2]. The Canadian Music Centre lists it at Intermediate level, about three minutes long [3].
  1. en.wikipedia.org
  2. cmcprod.blob.core.windows.net
  3. 1443.sydneyplus.com
  4. cmcprod.blob.core.windows.net

Technical overview

3/4, G major with a G minor middle section, bass clef throughout. Mostly first position, with a few fingered notes up to E on the A string and accidentals in the minor variation. Tenuto quarters taken on repeated up-bows, a pizzicato variation in steady eighth notes, and a Grave section (quarter = 60) with stopped double stops in thirds, fifths and sixths at pp, hairpins, a ritardando and a fermata.

Technical focus

  • 2 Note Slurs
  • Accidentals
  • Bow Retakes
  • Collaboration with Piano
  • Double Stops
  • Hairpin Dynamics
  • Pizzicato
  • Shifting
  • Tempo Changes

Level rubric

Early Intermediate

Left Hand

  • Regular shifting among 1st–4th positions.
  • Frequent shifts with target notes & prepared approaches.
  • Introduce ornamentation (grace notes, slow trills, turns).
  • Begin basic double stops (often with one open note).
  • Combine extensions with shifting.
  • Consistent vibrato on sustained notes with speed variations.

Right Hand

  • Bow arm gains finesse and speed.
  • Introduce controlled spiccato.
  • Sautillé appears in rapid passages.
  • Expand legato into longer, sustained lines.
  • Practice advanced articulations (martelé, refined string crossings).
  • Add complex strokes for double stops/chords.

Bow Strokes

  • Use context‑appropriate strokes: legato, spiccato, martelé.
  • Subtle bow changes during string crossings.

Rhythm & Musicality

  • Increased challenges: sixteenths, dotted rhythms, syncopation, contrasting subdivisions.
  • Emphasize expression with crescendos/decrescendos & vibrato.
  • Balance technical precision with emotional delivery.

Levels are approximate guides, not strict requirements.