Go, Tell It on the Mountain

by Traditional

Instrumentation
Cello, Violin
Publisher
Hal Leonard ((c) 2006 Hal Leonard Corporation), cello part, single digital download
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About this piece

John Wesley Work Jr., the first African American collector of folk songs and spirituals, directed the Fisk Jubilee Singers and gathered slave songs and spirituals with his wife and his brother Frederick [1]. His name is the one attached to this spiritual, which he may have helped to compose [1], and Sheet Music Direct lists him as its writer [2]. Hal Leonard's part is the plain tune for cello alone in G major, with the refrain on either side of the verse and every note in a separate bow [2]. The Harvey String Duo recorded a different version for violin and cello on String Duo Christmas: Carol Duets for Violin and Cello [3].
  1. en.wikipedia.org
  2. sheetmusicdirect.com
  3. youtube.com

Technical overview

G major, 4/4, moderate tempo, marked mf throughout. First position on the D and A strings, from open D to the C on the A string, with no slurs and no shifting. Eighth-quarter-eighth syncopations and dotted quarter and eighth figures are the rhythmic work, and the frequent crossings between the two strings need a quiet bow arm.

Technical focus

  • Detaché
  • Double Stops
  • Ensemble Skills
  • Marcato
  • Staccato
  • String Crossings

Level rubric

Advanced

Left Hand

  • Unrestricted fingerboard operation.
  • Effortless high‑register passages with thumb position.
  • Execute large leaps, rapid shifts & fast runs with precise intonation.
  • Render double stops with clarity and even vibrato.
  • Crisp, stylistically appropriate ornamentation (trills, turns, mordents).
  • Instinctive micro‑adjustments in intonation for expressiveness.
  • False harmonics in low positions

Right Hand

  • Complete command of all bow strokes at any tempo/dynamic.
  • Comfortable execution of virtuoso passages (sautillé, intricate ricochet).
  • Tone projection from whisper‑quiet to fortissimo.
  • Integrate advanced bow patterns with expressive phrasing.
  • Demonstrate technical precision with a broad dynamic range.

Rhythm & Musicality

  • Interpret large‑scale structures with nuanced pacing and rhythmic freedom.
  • Highly refined phrasing with subtle note grouping & expressive rubato.
  • Convey emotional depth and stylistic authenticity.
  • Incorporate personal interpretive choices while meeting stylistic demands.

Levels are approximate guides, not strict requirements.