The Birds for Company (Lindude seltsis)

by Mirjam Tally

Instrumentation
Cello
Composed
2014
Duration
6'
Publisher
Svensk Musik (Swedish Music Information Centre archive; PDF score sold from the work page)
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About this piece

Estonian composer Mirjam Tally, based in Visby on Gotland since 2006, wrote The Birds for Company for cellist Aare Tammesalu, who commissioned it and played the premiere at the Suure-Jaani Music Festival on 21 June 2014 [1][2]. Her note says the birds are "more like fantasy-birds, or cyber-birds" [2]. The writing is built from sound effects: a vertical "brush" across the covered C string with the fingers of the bow hand curled into a fist, which Tally compares to wing beats, rustling passes over all four strings, and "seagull" glissandos, an effect Tally's note connects with George Crumb's Vox Balaenae [2]. Sections marked "Molto ritmico" drive low-string rhythms in 7/16 and 5/16 with extreme bow pressure [2]. Tammesalu's recording appears on Tally's 2016 album The Voyager [3].
  1. helilooja.ee
  2. svenskmusik.org
  3. youtube.com

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.