We Three Kings

by Jean R. Perrault

Instrumentation
Cello, Violin, Piano
Composed
2020
Publisher
allEMusicPress (composer's imprint; score and parts from allEmusicPress@gmail.com)
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About this piece

On June 15, 1920, a mob in Duluth, Minnesota, took Isaac McGhie, Elmer Jackson and Elias Clayton, young Black circus workers falsely accused of rape, from the city jail and hanged them from a lamppost [1]. The Clayton Jackson McGhie Memorial commissioned this trio for the hundredth anniversary [2], and Laurie Bastian, Josh Aerie and Sam Black gave the premiere on March 8, 2020, at Mitchell Auditorium on the St. Scholastica campus [3]. Perrault told MPR News that the trio is "not to be enjoyed", and described working from a postcard of the lynching [1]. The movements, Dusk, E Pluribus Unum and Dawn, each open with a quotation [4]. The music borrows a theme from William Grant Still's Second Symphony, slowed down, with fragments of Sometimes I Feel Like a Motherless Child, Amazing Grace and America the Beautiful [3]. In the middle movement the cellist puts the bow under the string, hair against the body of the instrument, and rotates it for what the score calls a "wood cracking" sound, while the left hand pounds the D string [4].
  1. mprnews.org
  2. sites.google.com
  3. duluthreader.com
  4. drive.google.com

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.