Moose imitating moss

by Anna Eriksson

Instrumentation
Cello
Composed
2005
Duration
6'
Publisher
Svensk Musik (Swedish Music Information Centre archive; PDF score sold from the work page)
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About this piece

Anna Eriksson, a Gothenburg composer, sound artist and guitar teacher, wrote Moose imitating moss in 2005, and Emma Nordlund played the first performance at Västerås Konserthus on 29 October that year [1][2]. It opens "Mecanico" [3] with one bowed bar looped for about thirty seconds, then switches to plucked chromatic lines marked "Liberamente" [3] that run through a fixed cycle of 6/8, 4/8, 3/8, 6/8, 5/8 and 4/8 bars. The second section takes up the bow again, sul tasto and slurred, and at the end the sound thins until only the harmonics are left [3]. Eriksson also made a version for two guitars, and Nordlund's recording appears on the 2009 portrait CD named after the work [2][4].
  1. annaeriksson.se
  2. annaeriksson.se
  3. svenskmusik.org
  4. youtube.com

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.