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Episode Cinquième

by Robert Owens

Instrumentation
Cello
Composed
1983
Duration
8'15''
Publisher
Alphonse Leduc
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About this piece

"Episode Cinquième" by Betsy Jolas, composed in early 1983 as part of a series of nine solo pieces inspired by Berio, is her first work dedicated to a string instrument and highlights the cello’s lyrical qualities within a rigorously flexible structure. The piece’s design even incorporates a personal touch—a structure based on a congratulatory note to Antoine Vitez—and was premiered in Paris in 1985 by Sonia-Wieder-Atherton.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.